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Business Details
We began our career in 1992 as a photographer studying photojournalism at the University of Texas at Austin. Since then, our career has expanded to include editorial work ad cinematography. We first gained recognition as a travel photographer in 1991, spending two weeks on horse back in Yosemite for Southwest Spirit Magazine. While on assignment to Travel Holiday, we were in a unique position to capture exclusive coverage of Hurricane Faye. Since then, our photography portfolio has evolved to focus on corporate and editorial portraits, travel, and sports. Our clients have included Newsweek Magazine, the Los Angeles Times, Texas Instruments, Baylor Hospital, American Airlines, Business Week, Travel Holiday, Southwest Spirit Magazine, and Muscle and Fitness Magazine. Beginning in 2009, we ventured into cinematography, shooting our first feature film, The Man That I was.

Since then, we have directed photography on two additional feature films, I am Gilgamesh (2010) and I Think My Facebook Friend is Dead (2011), as well as numerous shorts and television shows. Our television credits include Ma's Roadhouse (TrueTV), Gator 911 (CMT), Donna Decorates Dallas (HGTV), Chuck's Eat the Street (The Cooking Channel), Home Strange Home (HGTV), and Chasing Speed (Velocity). We have received numerous accolades, including a CASE Award for Best Collegiate Magazine cover, a Self-Promotion Award in the PDN/Nikon International Competition, and numerous Telly Awards for advertising, video and film including best overall cinematography for Carrie Rodriguez's Big Love video. We operate as a freelance photography and filmmaking team based in Dallas, Texas and Los Angeles, California, committed to delivering professional standards and client satisfaction.
Highlights and features
  • We bring over 30 years of photography and cinematography expertise.
  • Our work earned CASE Award for Best Collegiate Magazine cover.
  • Our Hurricane Faye coverage earned exclusive Travel Holiday recognition.
  • Our clients include Newsweek, LA Times, and Texas Instruments.
  • We directed photography on two feature films and TV shows.
Services
Photography
Our photography service captures corporate and editorial portraits, travel scenes, and sports action for clients ranging from magazines to corporations. We leverage over three decades of experience, including award-winning work recognized by CASE and Telly Awards, to deliver images that meet professional standards. Clients receive visually compelling, publication-ready photographs that enhance brand storytelling and audience engagement.
Cinematography
Our cinematography service produces feature films, short films, and television shows for producers, networks, and brand clients. Drawing on work that earned Telly Awards for advertising, video, and film excellence, we craft visual narratives with professional lighting and composition. Clients receive cinematic content that elevates their message, engages viewers, and meets industry-recognized quality standards.
Corporate and Editorial Portraits
We specialize in corporate and editorial portraits for businesses, magazines, and professionals seeking polished, credible imagery. Our approach combines photojournalistic roots with over 30 years of experience, ensuring each portrait reflects subject authenticity and brand integrity. Clients receive high-resolution, publication-ready portraits that strengthen professional image and media outreach.
Travel and Sports
Our travel and sports photography captures dynamic destinations and athletic action for magazines, brands, and tourism organizations. With experience that includes two weeks on horse back in Yosemite and exclusive Hurricane Faye coverage, we deliver authentic, on-location imagery. Clients receive vivid, compelling visuals that tell stories of adventure, performance, and place.
Feature Film
Our feature film service encompasses shooting and directing photography for full-length motion pictures, as demonstrated by our work on The Man That I Was. We have earned Telly Awards for advertising, video, and film excellence, including best cinematography on Carrie Rodriguez's Big Love video. Clients receive cinematic quality that enhances narrative impact, attracts audiences, and meets professional industry standards.